Hannah Pelikan presented on her research on human-robot interaction at University Colleage Dublin, Ireland, in their HCI Seminar series, School of Information and Communication Studies, 26 January, 2024.
Keevallik et al. 2024: Repetitions for coordination
Keevallik, L., Hofstetter, E., Löfgren, A., & Wiggins, S. (2024). Repetition for real-time coordination of action: Lexical and non-lexical vocalizations in collaborative time management. Discourse Studies, 14614456231224079. https://doi.org/10.1177/14614456231224079 Repetition has often been argued to be a semiotic device that iconically signifies ‘more content’, such as intensity and plurality. However, through multimodal interaction analysis of materials …
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Katila et al. 2023: Vocalizations communication how touch feels
Katila, J., Hofstetter, E., & Keevallik, L. (2023). Cries of Pleasure and Pain: Vocalizations Communicating How Touch Feels in Romantic Relationships. Research on Language and Social Interaction, 56(4), 330–349. https://doi.org/10.1080/08351813.2023.2272529 Research on interaction has recently ventured into the domain of sensoriality, hitherto considered inaccessible for video analysis. This article contributes to this emerging field by …
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Löfgren Dissertation: Depictions in opera rehearsals
On November 24th, 2023, Agnes Löfgren defended her PhD dissertation successfully, entitled "Bodies to suit the music: Depictions in opera rehearsals". Her opponent was Beatrice Szczepek Reed, with committee Spencer Hazel, Oliver Ehmer, and Stefan Norrthon. Abstract: This thesis investigates how participants in 20 hours of video-recorded scenic opera rehearsals make use of depictions (Clark, …
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Keevallik 2023: Strain grunts and Goffman
Keevallik, L. (2023). Strain grunts and the organization of participation. In L. Mondada & A. Peräkylä (Eds.), Body, participation, and the self: New perspectives on Goffman in language and interaction (pp. 143–169). Routledge. This chapter looks at how people vocally display bodily strain. While strain sounds can be a “leakage” of an individual bodily effort, …
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Pelikan et al. 2022: Prototyping with video and interaction analysis
In this course you will learn how to use video data for prototyping. The course provides hands-on training in working with video clips, including transcription and identification of relevant actions. You will familiarize with core interaction analytic concepts (grounded in ethnomethodology and conversation analysis) and will learn how to do an action-by-action analysis. Working on …
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Pelikan et al. 2023: Sound in human-robot interaction
Robot sound spans a wide continuum, from subtle motor hums, through music, bleeps and bloops, to human-inspired vocalizations, and can be an important means of communication for robotic agents. This first workshop on sound in HRI aims to bring together interdisciplinary perspectives on sound, including design, conversation analysis, (computational) linguistics, music, engineering and psychology. The …
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Robinson, Pelikan et al 2023: Sound in human robot interaction
From introduction: Sound is an important interaction modality and a large part of human interaction happens in the aural domain. While research in Human-Robot Interaction (HRI) has long explored spoken language for interacting with humans, sound as a broader—and, to a significant degree, non-lexical (i.e., without words)—medium has been given comparably less attention. Yet, the …
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Pelikan & Keevallik 2023: Human vocalizations & robot sound design
When aiming to design for intuitive interaction, a good understanding of human behavior is essential. In this chapter we dive into studies on how humans use vocalizations and prosody in everyday interaction. Contrasting six examples from human-human and human-robot interaction, we highlight how insights on human practices can inform the design of robot sound in …
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Pelikan 2023: Transcribing human–robot interaction
Robots that can talk and move may turn from tools to potential participants, which poses new methodological challenges, particularly for transcription. This chapter first presents best practices for transcribing multimodal robot actions, focusing on sound. Robots animate the action repertoires that they are given by their designers and can do so again and again, producing …
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